\ndiscussing classes, we’ll be talking about not just standard RPG classes and races, but Starcraft armies, Street Fighter characters, and even Mario Kart vehicles. It might seem odd to lump all of these in
\nthe same box, but they all share something simple: a choice you make outside of the game which determines your gameplay options within the game.<\/p>\n
![\"Age](\"https:\/\/cms-assets.tutsplus.com\/uploads\/users\/444\/posts\/26146\/image\/ageofmy.jpg\")
Why Use Classes?
<\/h2>\n
So why even bother with
\nclasses? What do they add to a game? There are a lot of reasons, but
\none of the simplest is adding content. More classes = more ways to
\nplay the game = more ways to have fun. When you look at World of
\nWarcraft, it’s not uncommon to see players with several high-level characters. <\/p>\n
Tails was so popular as an additional character in Sonic that they later added Knuckles, Shadow, Cream, and countless others. Dungeons &
\nDragons has a multitude of classes available for players, spread out
\nthroughout optional rulebooks. At an extreme level, some games exist
\nsolely because of their variety of classes\u2014imagine Smash Bros with Mario as the only character. Fighting games are fun
\nlargely because of the way different characters interact, meaning that every matchup has different strategies.<\/p>\n
Another reason
\nclasses are useful is because they promote diversity. This is
\nespecially important in competitive multiplayer games, where
\n(generally speaking) everyone wants to be the best. If you wanted to
\nmake an MMO where players can assign points to their skills, you might think
\nthat the playerbase would create a range of different character types. What inevitably
\nhappens, though, as shown over and over by MMOs like Ultima Online, is that players gravitate towards “best
\nbuilds”. <\/p>\n
Generally, a small selection of players who are
\nexperienced at the game will do the math and post optimal builds, and
\neveryone else will just copy that. This “copy others” attitude isn’t unique to MMOs (Magic: The Gathering players have debated for some time the pros and cons of “netdecking”), and any game where you can choose your skills will have at least some discussion on best builds.<\/p>\n
Of course, creating classes
\ndoesn’t stop the issue\u2014World of Warcraft, despite having multiple classes, has plenty of build discussion\u2014but it at least creates a little bit of
\nvariety. Instead of having a single “generic tank build”, you might
\nhave a choice of playing a warrior tank, paladin tank, or druid
\ntank. <\/p>\n
And lastly, it
\nreduces the gap between skilled and unskilled players. Being a new
\nplayer to a game can already be frustrating when everyone is better
\nthan you, but if everyone is also using better characters then it
\ncan feel doubly frustrating. New players might feel as if they are
\nbeing punished for their lack of knowledge,
\nwhereas pro players might spend their time trying to find abusive
\nbuild combinations. <\/p>\n
New players also run the risk of “doing it wrong” by spending points on useless skills\u2014the idea of “noob traps” is something we’ve discussed before<\/a>. By forcing players into predesigned classes, you refocus the game back onto the gameplay, and away from character building.<\/p>\n So are there any For highly competitive games, it can be argued that “design your own” systems are an extremely dangerous idea, as all it takes is one overpowered combination to ruin the whole thing. But for some games, character creation is what makes the game fun in the first place.<\/p>\n So, assuming we do want to add classes, how do we go about designing them? Well, it’s such an expansive concept that even if we limited ourselves to a The word \u201cclass\u201d means Generally speaking, In Diablo 3, players can choose from classes like Barbarian, Monk, and Wizard. These classes have special abilities, and those abilities define what the character can do. Only the Monks have Cyclone Strike, and only Wizards have Hydra. The classes gain specific skills at specific levels, and can never learn skills from other classes. Diablo 3 is very firmly a strict system.<\/p>\n Compare to a game like Desktop Dungeons, which is a loose system. When a player chooses a class, it simply gives that player a minor advantage: Berserkers have 50% magic resistance. Priests deal double damage to undead. A Berserker can still do all the things a Priest does, but is better (or worse) in certain situations.<\/p>\n Obviously, there is no clear distinction between “strict” and “loose”, and there will be games which can be argued to be in either camp. Vampire: The Masquerade allows players to choose a clan, and although each clan has unique powers, these powers do not define the character and the game otherwise operates like a standard point-buy system. <\/p>\n But what of other genres? Well, Hearthstone allows players to choose a class, However, Hearthstone also has So why does this all matter? Well, the stricter a game is, the more pronounced the The downside is, of This can be pleasant (if you’re winning), or frustrating (if Mechanical design is The other question players most often ask is, “Well, what does it do?” Sometimes the answer is obvious, sometimes less so\u2014but generally, the player will be trying to find a class which allows them to play the game in the way they want.<\/p>\n Generally speaking, the purpose of a class is to allow the player to play the game in a way that they enjoy. Not everyone enjoys playing magic classes, so it’s important not to force players into roles they don’t enjoy. Of course, for multiplayer games, some players will be pressured into playing certain roles, but generally speaking players will play whatever is the most fun.<\/p>\n In certain games (like MMOs), the ability to fill a role becomes doubly important. If your party is planning to fight the Dragon Emperor, then you probably need to have a strategy. Typically, tank\/damage\/healer roles are primary, with other roles such as controller, leader, tracker and so forth dependent on the game. <\/p>\n Because available party slots are generally limited, it’s important that your team is able to get the most out of its available party slots\u2014all healer parties tend to do poorly. Players will want to choose roles that complement each other to maximise their chances of success, and this means giving the players the option to choose classes that they enjoy and feel are useful to the team.<\/p>\n Regardless of the game style, you want to create classes that allow for an enjoyable gameplay experience. The classes you design will determine how the game is played. If all your characters are swordsmen, then gameplay is going to be focused on close quarters fighting. If you add a single sniper to the game, then suddenly the whole dynamic changes\u2014environment and cover suddenly become more important, and rushing around in the open is no longer a viable tactic. <\/p>\n You need to understand what you want from your game, and the roles and abilities you have should promote that gameplay style. If you don’t want a role being fulfilled, then simply don’t add it to your game. Don’t like the idea of healers slowing down gameplay? Remove them. It’s your game, so there’s no reason you have to stick to “traditional” design roles.<\/p>\n Despite many games using the traditional tank\/dealer\/healer design, there are plenty of reasons to avoid it. The most obvious is that if you design your game around those classes as a central idea, anything which does not fit into those criteria is bad. Imagine a Warrior, Rogue and Cleric being joined by a Banker or Farmer. There’s no reason that players shouldn’t be allowed to play those alternative classes, but the chances are they have no place within the “holy trinity” framework. Classes not only have to be balanced with each other, but within the game itself.<\/p>\n Sometimes, however, we can get obsessed with concepts like balance\u2014making sure every class is fair to use. While for some games this is necessary, it’s not necessary for every single game. Bad classes can provide extra challenge, or a balancing factor for experienced players. The Binding of Isaac’s “The Lost” can fly, but dies in one hit. Street Fighter’s “Dan Hibiki” is a popular joke character. These “bad classes” are simply more options for players who choose to challenge themselves. Additionally, if every class is perfectly balanced, then what does it matter which one you choose? <\/p>\n We should also ask what we’re balancing for. Do we balance based on win rates? Or how they compare for 1 on 1 combat? Some games, MMOs in particular, struggle to keep characters balanced between the PVE and PVP elements. In the Binding of Isaac, damage is often considered a “god stat” for characters\u2014not only is it incredibly handy to be able to one-shot everything in sight, but the game rewards fast play with secret bosses and going unhurt with “devil items”, powerful items that serve to snowball a good character<\/a> even further. The slower, tankier characters like Magdalene look fine on paper, but simply can’t compete with the bonuses that high-damage characters get. Whereas The Lost is an interesting character because of intentional difficulty, Magdalene is simply a boring character.<\/p>\n League of Legends embraces this and uses an idea called \u201cperfect imbalance\u201d to keep gameplay fresh. The game is incredibly complex, and trying to balance over 130 characters is basically an impossible skill. Not only do the designers have to contend with how the characters interact, but every time a small change is made it could theoretically throw everything out of balance again. <\/p>\n They try to ensure that no single character is overpowered, but there are plenty of “bad characters”\u2014and due to the evolving of the game, sometimes characters which are seen as bad suddenly become viable. The complexity and ever-changing nature of the game mean that players are constantly forced to re-evaluate the best strategies, ensuring that gameplay is never “solved”.<\/p>\n “Solving” is a problem for many games. When you look at classes, sometimes you can put down all the abilities on paper and work out what exactly each class is capable of. What this means is that in team games, classes are often judged by a single metric: how much damage you can output, how quickly you can heal, or how quickly you can race to the end. Your character has one job, and the best character for that job is whoever has the highest numbers. This raises an interesting question: is it better to have a class that is exceptional at just one task, or to have a class that can do everything satisfactorily? <\/p>\n When we create a The problem with Imagine making a game, similar to Civilization, wherein you try to take over the world. You can achieve victory through political, military, or cultural might. You can also choose a race, and each race has a benefit: elves are better at politics, orcs are good at military, and so forth. Why would a military fan ever choose anything other than orcs? Also, if you’re playing against orcs, why would you invest into political defence? The specialisation of the races restricts your playstyle and forces you into certain options.<\/p>\n This is the biggest problem with specialised classes. If So what’s the So when you make your class, make sure they’re able to participate in the game at all Allow players to adapt to the flow of the game, and if they realise they need to change tactics, allow them. The more specialised a class or race is, the more likely it Players like to win. In a competitive, class-based game, players will generally choose the best class. Best is often subjective\u2014it depends on the player’s skill, playstyle, the map, and even recent gameplay changes. For most players, “what is best” is really just “whatever beats your opponent”. <\/p>\n For some games, this means trying to anticipate what your opponent is going to play. For CCGs like Magic and Hearthstone, players talk about “the meta<\/a>“\u2014what the most popular decks are and what cards your opponents are likely to be running. A player might choose to play a deck specifically to beat the meta, running cards that shut down certain decks. In magic, some deck archetypes can be entirely shut down by a single card, meaning that playing the meta can be an effective way to win.<\/p>\n
\nproblems with classes? Well, obviously it can be a massive time investment. But from a design perspective, there’s really just one issue: class systems limit a player’s ability to experiment with fun builds or create specific ideas. Players love to be creative, and limiting that creativeness can limit the amount of fun to be had. <\/p>\n![\"Impossible](\"https:\/\/cms-assets.tutsplus.com\/uploads\/users\/444\/posts\/26146\/image\/ic00000.jpg\")
\nparticular genre, we could write a novel and still only scratch the surface. So let’s focus instead on some general common issues that apply across the board.<\/p>\nStrict vs. Loose Class Design<\/h2>\n
\nmany things, so let’s introduce a new concept: the idea of strict and
\nloose classes.<\/p>\n\n
\none that defines a player’s available skillset.<\/li>\n
\nthe more complex a system is, the more likely it is to be
\nstrict.<\/p>\n
\nand this gives them a class ability they can use in game, such as producing minions or
\ndrawing extra cards. Since this ability only gives a minor advantage in game, it counts as a “loose” class advantage.<\/p>\n
\nclass cards which can only be used by certain classes. Cards like
\nBackstab or Sap are Rogue-only cards, but are theoretically useful
\nfor every class. This limiting of cards means Hearthstone is “strict” class design, as every class will have a variety of options unavailable to other players.<\/p>\n
\nbenefits of a class system are (as discussed above in \u201cwhy use classes\u201d). More variety between classes, fewer \u201cnoob traps\u201d,
\nmore fun for players. Additionally, strict design allows you to
\ncreate incredibly flavourful<\/em> classes. In Hearthstone, playing
\na priest feels<\/em> like playing a priest (or at least, as close as you can
\nget in a card game). Each of the classes feels distinct, and this
\ndistinctness allows the player to play the game in a variety of
\ndifferent ways (hopefully finding one suitable to their playstyle).<\/p>\n
\ncourse, the same downside mentioned above\u2014that the player is
\nlimited to the playstyles defined by the developers. It doesn’t
\nreally allow for exploration beyond that. And because each class has
\na certain playstyle, there are times when you’re going to know how
\nthe game will play out before the first move is made or card is
\ndrawn. <\/p>\n
\nnot). If you struggle to beat rogues and continually get matched
\nagainst them, the game can become unfun very quickly. Depending on
\nwhat playstyles or meta is popular at the time, it might
\nmean playing a string of games against not just the same class, but
\nthe same deck or character build\u2014which can be pretty
\nunderwhelming.<\/p>\n
\njust one aspect of character creation, however. We need to ask what players want from their games, and there are several answers. For most new players, they’re not thinking about the mechanics behind each class\u2014most often, they want to play the cool soul-stealing ninja, or the alien that eats face. This side of character design, which includes things like backstory and visual design, is often referred to as “fluff” or “flavour”. It’s an important part of the design process, but it’s enough of a topic by itself that we’ll have to leave it for another time.<\/p>\n![\"South](\"https:\/\/cms-assets.tutsplus.com\/uploads\/users\/444\/posts\/26146\/image\/southpark.jpg\")
Fulfilling a Role
<\/h2>\nBalancing the Classes<\/h2>\n
![\"Binding](\"https:\/\/www.sickgamedev.win\/wp-content\/uploads\/2017\/11\/class-design-in-games-beyond-rpgs-1.jpg\")
Specialisation vs. Flexibility<\/h2>\n
\nclass, we should generally have a rough idea of what we want from it.
\nIn an MMO, the perfect tank is basically a granite boulder\u2014something
\nthat will just sit there and soak up damage while the rest of the
\nteam throws flaming death. This creates a sort of “arms race”
\nwhich means the most specialised characters are (almost always) the
\nbest ones for the jobs.<\/p>\n
\nthis is that if one character is the best at the job, every other
\ncharacter is (by default) not the best\u2014and why would you
\nintentionally play a bad character? This is a problem for MMOs who
\nare trying to juggle balancing dozens of character classes. Why play
\na rogue if mages have better DPS? <\/p>\n![\"Civ](\"https:\/\/cms-assets.tutsplus.com\/uploads\/users\/444\/posts\/26146\/image\/civ.jpg\")
\nspecialisation is doing one thing well, then it means not doing
\nanything else. If choice is a core component of gameplay<\/a>, then
\ndoing the same thing over and over again is bad design. This is a
\nproblem many games face, and it’s a problem especially with regards to
\nhealing classes<\/a>.<\/p>\n
\nsolution? As we discussed in the healing article, you need to
\nmake sure the player has a range of options available during the
\ngame. It’s one of the most fundamental aspects of game design: keep
\nthe player engaged. If the player doesn’t have to make any choices for their actions, then they’re not engaged, and that’s when things become boring.<\/p>\n
\ntimes. If you’re designing an RPG, make sure the classes all have
\nskills for both inside and outside of combat, rather than creating a \u201cskill-monkey\u201d character. If you’re
\ndesigning a game with multiple paths to victory, try to make sure each race has the option of winning in different ways. <\/p>\n
\ncan only do one thing, and the more likely it is to get stuck doing that thing over and over again. Choice is important.<\/p>\nSoft and Hard
\nCounters
<\/h2>\n
![\"Team](\"https:\/\/cms-assets.tutsplus.com\/uploads\/users\/444\/posts\/26146\/image\/spy.jpg\")
![](\"http:\/\/audio.tutsplus.com.feedsportal.com\/c\/35227\/f\/668810\/s\/26146\/sc\/4\/mf.gif\")