{"id":126568,"date":"2022-07-15T19:00:00","date_gmt":"2022-07-15T19:00:00","guid":{"rendered":"https:\/\/www.nintendolife.com\/#article-134577"},"modified":"2022-07-15T19:00:00","modified_gmt":"2022-07-15T19:00:00","slug":"feature-resident-evil-netflix-review-wesker-steals-a-show-that-lacks-bite","status":"publish","type":"post","link":"https:\/\/sickgaming.net\/blog\/2022\/07\/15\/feature-resident-evil-netflix-review-wesker-steals-a-show-that-lacks-bite\/","title":{"rendered":"Feature: Resident Evil Netflix Review: Wesker Steals A Show That Lacks Bite"},"content":{"rendered":"
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Image: Netflix<\/em><\/figcaption><\/figure>\n

The live-action adaptations of the Resident Evil<\/a><\/strong> franchise have had a real rough time of it, huh? Paul W.S. Anderson\u2019s six-movie take on the series \u2014 while commercially successful \u2014 was widely slated by fans of the games and critics alike for diverting too far away from the tone and scope of Capcom\u2019s source (plus, some of them were just straight up bad<\/em>), and the 2021 reboot, Resident Evil: Welcome to Raccoon City<\/strong>, didn\u2019t fare much better. Despite being significantly more faithful to the games, Johannes Roberts\u2019 movie was criticised for its writing and attempts to cram as much fan-service into one movie as possible.<\/p>\n

When Netflix announced its own take on Resident Evil via an eight-episode series, fans were understandably sceptical that the streaming juggernaut could pull off what Anderson and Roberts failed to do. Not only that, but initial details on the series set off alarm bells immediately: a series focusing on the daughters of Albert Wesker? What?<\/em> It didn\u2019t sound promising, particularly when show-runners would later promise that the series would tie in with the game series’ canon.<\/p>\n

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Image: Netflix<\/em><\/figcaption><\/figure>\n

Having now watched the entire series (in near enough one sitting \u2014 phew<\/em>), we can now confirm that Resident Evil on Netflix isn\u2019t quite the disaster that many were fearing it to be. But it isn\u2019t good, either \u2014 far from it. It\u2019s a commendable attempt to break away from the core narrative of the game series in a way that makes sense for newcomers (mostly<\/em>), but at the same time it tries desperately to please long-time fans of the franchise, ultimately failing to nail down its target audience.<\/p>\n

In a nutshell, the series takes place during two separate time periods: 2022 and 2036. In 2022, Albert Wesker and his two daughters, Jade and Billie, arrive at New Raccoon City to start a new life. Of course, the evil Umbrella Corporation \u2014 run by the delightfully creepy Evelyn Marcus \u2014 reigns supreme over the town and sure enough, chaos soon ensues and plunges Jade, Billie, and yes, even Albert, into stark danger. In 2036, meanwhile, the world has fallen to the deadly T-Virus and monsters are roaming the land. Jade, separated from her sister Billie, tries desperately to find a cure for the virus and protect her daughter, Bea.<\/p>\n

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Image: Netflix<\/em><\/figcaption><\/figure>\n

The core premise here is admittedly quite cool, particularly if you mentally detach yourself from the narrative of the game franchise. There\u2019s enough here, in theory, to draw in newcomers while keeping long-time fans entertained, but unfortunately this Resident Evil squanders much of its potential and proves itself to be a convoluted mess that focuses too much on the family drama surrounding the Weskers and not enough on the franchise staple: the monsters<\/em>. Yes, we know Wesker’s done some stuff. We’re talking about the flesh-eating ones.<\/p>\n

Indeed, for much of its runtime, Resident Evil feels very much like a young-adult drama wrapped up in the visual style of Capcom\u2019s classic franchise. It\u2019s a shame, because there are some really cool moments and callbacks sprinkled throughout: Billie playing \u2018Moonlight Sonata\u2019 on the piano, a mercenary proclaiming himself to be the \u201cMaster of Unlocking\u201d, video footage from 1998 showcasing the tragic figure of Lisa Trevor. It\u2019s all done rather well on a scene-by-scene basis, but since the show spends so much time on the teenage angst of its primary protagonists, these moments lose any potential impact and make for a weird juxtaposition against the overall tone of the series.<\/p>\n

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Image: Netflix<\/em><\/figcaption><\/figure>\n

Perhaps the worst sin committed by Resident Evil, however, is the simple fact that some of the franchise\u2019s most iconic monsters just don\u2019t get their chance to shine. Zombies (known as \u2018Zeroes\u2019 here) understandably play a prominent role throughout, and we also get to see Zombie Dogs, Lickers, Giant Tarantulas, Dr. Salvador, and even a Tyrant. The problem, though, is that none of them are afforded any significant screen time. The Lickers come and go in the blink of an eye, and it\u2019s obvious Netflix is saving the Tyrant itself for Season Two (if indeed it goes ahead with it). It\u2019s frustrating, because they\u2019ve done a tremendous job of making the monsters look faithful to their video game counterparts, but we just don\u2019t see enough of them.<\/p>\n

On the flip side, we have to give credit to Lance Reddick, who plays Albert Wesker wonderfully from start to finish. Just when you start to get on his side and root for him, he flips and showcases an intensity that could only be reserved for Resident Evil\u2019s most iconic villain. His presence, given the apparent link to the games\u2019 canon, is confusing at first, but the explanation provided around the halfway point did just about enough to convince us of its validity, even if it is a bit corny.<\/p>\n

Ultimately, Netflix\u2019s Resident Evil is yet another misfire in the world of live-action adaptations. In trying to please both newcomers and longtime fans, it just doesn\u2019t stick the landing at all. The callbacks to iconic moments from the games are certainly cool for veterans, but accomplish little more than muddy the waters for newcomers to the franchise. On the flip-side, the show\u2019s insistence on breaking away from the overarching narrative of the games means that veterans are going to come away from this feeling crestfallen and, frankly, confused.<\/p>\n

It might be time to throw in the towel and just accept that we’re never going to get a truly great live-action Resident Evil.<\/p>\n